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Revolver

£50.92£101.84Clearance
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The special edition also includes a remastered mono version and two discs of outtakes, which Martin compares to the pencil sketches in an art exhibition. Curiously, the two Sessions discs had none of that dust, which leads me to think they may have been made by different team in the production chain.

The audio is brought forth in stunning clarity with the help of cutting edge de-mixing technology developed by the award-winning sound team led by Emile de la Rey at Peter Jackson’s WingNut Films Productions Ltd.Between the murky sounds of the slowed tape and the swirly effects on the vocal, it’s always been a challenge get at what’s all happening in the song. None of my other copies of this album have it - not my BC-13 copy, not my 70's reissue, not my 2012 stereo remaster, not my 2014 mono remaster. the people discovering the beatles for the first time are well served by these modern stereo mix,s . The new mix retains that druggy feel but you can make out each instrument and each voice now through the haze. The Revolver album’s 14 tracks have been newly mixed by producer Giles Martin and engineer Sam Okell in stereo and Dolby Atmos, and the album’s original mono mix is sourced from its 1966 mono master tape.

Saved my life — or my soul, at least — as a teen in England in the ’80s, and still think it’s the best ever 37. Meanwhile, GTGYIML just keeps sounding squarer with time (as do most of the Paul tunes on the album). MM], and that designation of perfection will always be bestowed upon the original mono mix as constructed by The Beatles with original producer George Martin in 1966. Taken with the whole of Revolver, the short three-year span between these songs illuminates the band's astonishing creative progression.From “Taxman” to “Tomorrow Never Knows,” The Beatles’ REVOLVER has been newly mixed by producer Giles Martin and Sam Okell, and sourced directly from the original four-track master tapes with audio brought forth in stunning clarity with the help of cutting-edge technology developed by the award-winning sound team at Peter Jackson’s WingNut Films Productions Ltd.

Given the limitations of what they could do at the time, it is perfectly fine, and no doubt has its charms. Because the 2022 production team were able to break out all the instruments using, according to the official press release, “cutting edge de-mixing technology developed by the award-winning sound team led by Emile de la Rey at Peter Jackson’s WingNut Films Productions Ltd. Denoting sessions discs as cd 2 and 3 above, the following tracks are in mono (some obvious as RM indicated, others not): 2-02, 2-04, 2-06, 2-07, 2-09, 3-03, 3-04, 3-05, 3-06, 3-10, 3-11, 3-16. Iteration and fearless experimentation were always Beatles hallmarks, but Revolver found the band accelerating headfirst into innovation.Author referenced availability of the box for less than SRP; which vendors are advertising this box for less than SRP ? Revolver’s music is the result of the band members having space to breathe and reset their creativity. Revolver's Special Edition also includes "Yellow Submarine" Take 4 and highlighted sound effects (a complex and merry sonic seascape, including Mal Evans' sand-shoveling and Brian Jones' glass-clinking) for listeners to journey with The Beatles through the song's progression. As with many of the past Beatles remixes, the vocals are definitely up a little bit hotter in the mix.

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